Wounded by a bullet and suffering from severe memory lapses, Professor Langdon is hospitalised in Florence. Unable to explain his predicament to his attending doctor, Dr Sienna Brooks, the professor is bombarded by hellish visions of eternally damned sinners, and riddled with questions about the events that preceded his accident. Under those circumstances, unknown forces will violently attempt to locate Langdon to retrieve a hi-end, fingerprint-protected container that points to Bertrand Zobrist, a billionaire biomedical engineer, with a vision of a better world which stems from Dante Alighieri's Inferno. Once again on the run with Dr Sienna, the team will try to navigate through the obscure conspiracy that lies before them, attempting to decipher even the slightest of clues, in a wild hunt all over Europe. "Cerca Trova" or "Seek and ye shall Find"; however, at the end of the line when the search is finally over, what mysteries await?
Famous symbologist on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to stop a madman from unleashing a global virus that would wipe out half of the world's population.
It often is a losing proposition to expect motion picture adaptations to remain true to their literary source, be it 'Wuthering Heights', 'The Green Mile' or 'Les Miserables'. Yet, some movie scripts have captured successfully the essence of their originals, as 'Sense and Sensibility,' 'All the President's Men' or 'The Merchant of Venice' did. And then we have the three Dan Brown movies, arguably lesser fare, indeed. Neither of the three, although entertaining to different degrees, also to different degrees meet the necessary challenge. There is in 'The Da Vinci Code' book an abundance of speculative red herrings of conspiracies that might work as fiction on the written page which, but for other than Dan Brown followers, fly in the face of historic fact. In this regard, the movie succeeds - other than the ill-disguised and predictable revelation of its ultimate villain. The premise behind 'Angels and Demons' works better until the outrageous sequence in St. Peter's Square and what follows become a Nancy Drew thriller. With 'Inferno', at some point and for reasons best known to the movie makers involved, a disorienting non-linear narrative was introduced, conveniently distracting audiences from improbable off-screen coincidences (explained away by dialogues from this-or-that character) that in real life could not have taken place in order for diverse conspirators to have infiltrated organizations of both good guys and bad guys. To object to the movie's resolution as unbecoming that of the source book may be accurate; but Dan Brown's book's, while arguably rational, is socially unreasonable. Audiences decry discrimination, genocide, authoritarianism and the xenophobia that the arts denounce and portray; they should be consistent in their priorities and expectations. Review of 'The Handmaid's Tale' (1990) by commentator 'realreel' reminds us of how the movie "…represents the best kind of literary adaptation that the cinema offers: One in which the screenwriter and director clearly remained faithful to the spirit of the book without attempting to reproduce it…" The spirit, he says, should be our priority. 'The Da Vinci Code' 7/10 'Angels and Demons' 6/10 'Inferno' 6/10
What you can expect is an above average mystery/thriller with a nice cast, but a very predictable film through all the suspense. It doesn&#39;t live up to the standards of The Da Vinci Code, but it still worth a watch if you enjoyed the other installments.<br/><br/>Acting/Casting: 6.5* - Tom Hanks is always solid and plays the role of Robert Langdon well once again. I thought Felicity Jones as Sienna Brooks did a nice job in the supporting actress role. It bolsters a solid supporting cast with the likes of Ben Foster, Omar Sy, Irrfan Khan who all did a nice job with their parts.<br/><br/>Directing/Cinematography/Technical: 6* - For the most part all aspects in this area are what you would expect from the likes of Ron Howard, Brian Grazer, Hans Zimmer, etc. I will say that I was distracted quite a bit by the confusion/flashbacks early in the film, which have been the intention but it was difficult to actual view in general. That would be my glaring complaint in this area.<br/><br/>Plot/Characters: 6* - Robert Langdon (Tom Hanks) wakes up in a Hospital with a traumatic head injury which includes memory loss and must team up with his doctor (Felicity Jones) to save the world from the unleashing of a deadly plague. I admit I found the plot to be intriguing and it plays out well, but very predictable.<br/><br/>Entertainment Value: 6* - It plays out very predictably, but still makes for an entertaining watch. There is a nice blend of action and suspense that will keep your attention throughout and results in a solid film well worth a watch.<br/><br/>My Score: 6.5+6+6+6 = 24.5/4 = 6.1 Email your thoughts to filmwatchinfool@gmail.com
Early promise proves misleading in a sequel that should be far better than The Da Vinci Code than it actually is.
Robert Langdon has similar &#39;visions from Hell&#39; in the book, but the hallucinations include an unknown &#39;silver-haired woman&#39;. She is later revealed to be Elizabeth Sinskey, head of the WHO; she is significantly older than Robert (old enough to be his mother), and he had only met her a few days before getting amnesia. In the movie, the woman in the hallucinations is initially cloaked, but Robert later recognizes her as Elizabeth. She is of Robert&#39;s age, and he has known her for years since they were once in a relationship.<br/><br/>Sienna is described as suffering from a metabolic disease in her youth that causes her hair to fall out; she always wears a blond wig as a result. Elizabeth Sinskey was also afflicted with a childhood disease, and its treatment has rendered her unable to have children. She has several flashbacks of a conversation with Zobrist, who visciously berates her and the WHO for their perceived lack of action with regards to controlling overpopulation. When he suggests that desperate measures are necessary, she takes his picture and puts him on the watchlist. The Consortium&#39;s Provost (called Mr. Sim in the film) has flashbacks of meeting Zobrist and sheltering him for a year, so that he could work in secret on his project while the WHO searched for him in vain. A gift from Zobrist during their last meeting (a personalized copy of Dante&#39;s Inferno) and Zobrist&#39;s suicide unsettle the Provost, causing him to think that Zobrist may be using the Consortium to release a world-wide plague.<br/><br/>The book is interspersed with flashbacks of Robert, remembering a lecture he once held about Dante and the Inferno novel. Most of the imagery that he used in the lecture (Botticelli&#39;s Map of Hell and several other Inferno-related artpieces) helps him (and the reader) find clues to Zobrist&#39;s riddles.<br/><br/>The WHO agents that arrive at Sienna&#39;s apartment are led by Christoph Brüder in the book (Christoph Bouchard in the movie). As Robert and Sienna flee, Robert notices the silver-haired woman being held in a WHO van, apparently drugged and held captive. They are being chased and fired upon by agents, but manage to escape, and enter the Boboli gardens. As they use the hallway leading into the Palazzo Museum, they find that the entrance is blocked by a guard station. Sienna has to mislead and take out the guard in order for them to proceed into the museum, showing that she is far from the fragile damsel in distress that she may appear to be.<br/><br/>Upon admitting that the WHO is now on Robert&#39;s trail and that she has lost him, Vayentha learns that she has been disavowed by the Consortium. In her desparation, she decides to go and search for him anyway. By chance, she picks up his trail again and chases him, hoping that the Consortium will take her back if she completes the mission to retrieve him. As a result, she is not trying to execute him in the book, even though Robert thinks that she is. In the movie, the provost gives her a direct order to terminate Robert, which she tries to do without success in the museum.<br/><br/>When learning that Robert and Ignazio were the ones who had stolen Dante&#39;s death mask, the guards call Ignazio&#39;s office, only to learn from his secretary that he has died of a heart attack the previous night. He was able to leave a voice mail message for Robert that points towards the mask&#39;s hiding place (in the movie, Robert had already received it by email). Robert tells the secretary to delete the message. They use the distraction of one of the drone cameras to escape.<br/><br/>Robert and Sienna try to flee the museum through the secret hallways, with Brüder and his team closely following them. Robert manages to shake them off by diverting them into a dead end. After Vayentha falls to her death, they escape to the streets, with Robert putting on Sienna&#39;s wig as disguise; with Sienna&#39;s bald head, they manage to pose as a rock star and a groupie, evading the police until they reach a small church. Robert borrows an old lady&#39;s iPhone to find the solution to Ignazio&#39;s riddle, and discovers it points to the Baptistry.<br/><br/>In the movie, Robert and Sienna find the mask at the baptistry and discover the hidden text on its back. They are found by Bouchard, who claims to have been the one who asked for Robert&#39;s help before he got amnesia. While on the train to Venice, Robert sees through Bouchard&#39;s ruse and incapacitates him. After deducing that Inferno must be in the Hagia Sofia, Istanbul, Sienna betrays Robert and leaves him to be caught by Bouchard again. Bouchard reveals that he has gone rogue and intends to obtain Inferno in order to sell it. He is finally killed by the Provost, who explains how Sienna, Vayentha and the doctor shot in the hospital were all part of an elaborate deception to get Robert to cooperate, but Sienna has apparently used both Robert and the Consortium for her own agenda.<br/><br/>In the book, the sequence differs significantly: Robert and Sienna discover the mask in the bapistry, but find that there is are series of 7 Ps on the back of the forehead. Robert remembers that these symbolize the seven sins (peccatum in Latin), and in true Dante fashion, he discovers that by wiping them away in atonement, a secret text is revealed on the back of the mask. They are then approached by a man calling himself Jonathan Ferris. He has a nasty face rash which he claims comes from an allergy to soy-based soap, and a big black mark on his chest which he tries to hide. Ferris claims to have been the one who asked for Robert&#39;s help deciphering Zobrist&#39;s riddle. Although Robert doesn&#39;t recognize the man, he has &#39;familiar eyes&#39;. Robert calls his publicist with a request to charter an airplane for him to Geneva; this ruse sends the WHO into a dead end, while Robert, Sienna and Ferris escape by train to Venice. An elaborate flashback leads the reader to believe that Ferris is actually agent FS-2080, a former lover and sympathizer of Zobrist who suggested the Consortium to him as a way of developing Inferno in secret; however, after learning Zobrist&#39;s intentions to develop a plague, FS-2080 wanted to prevent Inferno from being unleashed, and contacted the Consortium to offer assistance. In Venice, after discovering the identity of the &#39;treacherous doge&#39;, Robert finds out the target is Istanbul, not Venice. He finds that Ferris has collapsed, and notices the black mark, fearing that Ferris may already be infected with Inferno. Unfortunately, WHO soldiers seal the museum and Robert is apprehended by Brüder, but not before he helps Sienna escape through a window.<br/><br/>Robert is finally brought before Elizabeth Sinskey and the Provost. She wasn&#39;t held captive by the WHO as Robert thought; she was temporarily under the influence of medication to counter her vertigo. The WHO had raided Zobrist&#39;s safety deposit box a few days earlier, and found the projector. Sinskey was the one who contacted Robert and asked him for help in deciphering the riddle. However, the Consortium had an agreement with Zobrist to protect the projector, so they intervened after Robert and Ignazio had stolen the death mask. They kidnapped Robert, faked his head wound and amnesia and placed him in the hospital. Agent FS-2080 and Zobrist&#39;s secret lover is revealed to be Sienna, not Jonathan Ferris. She had agreed to help the Consortium in deceiving Robert so that he could solve Zobrist&#39;s riddle and find Inferno&#39;s location before the WHO could get their hands on it. The doctor killed by Vayentha in the hospital was another Consortium agent whose death was only faked. He is the same man who posed as Jonathan Ferris, with a rash that he got from wearing a fake beard and moustache; the black mark on his chest was from a squib explosion that broke his rib during his faked death. When Sienna learned of Inferno&#39;s hiding place, she disposed of Ferris by punching him in the chest (he is fine again, and not infected). Sienna is currently following her own agenda, which may be to ensure that Inferno is released. Sinskey and the Provost are now working together to stop that from happening.<br/><br/>The final act of the book is also very different from the movie: Sienna only contacts a fellow Zobrist sympathizer to get on a flight to Istanbul; she works alone while being there and doesn&#39;t obtain any explosives or henchmen. In the &#39;Sunken Palace&#39;, Robert finds out that the container with Inferno is missing; only the original tether remains. Sinskey finds no trace of anything lethal in the water. Robert spots Sienna and chases her, believing that she may have taken the container. After a lengthy chase where Sienna commandeers a boat, she unexpectedly returns to Robert and gives a tearful confession. The container with Inferno inside has already dissolved and the virus has been released for a week; the date mentioned in Zobrist&#39;s video wasn&#39;t the date that Inferno would be released, but the projected date where almost the entire world&#39;s population would be infected. Inferno is not a deadly plague that &#39;thins the herd&#39;: it is a virus that alters DNA and randomly renders one third of the population infertile, as Zobrist&#39;s ultimate device to stop the world&#39;s population from growing out of control. Sienna was actually trying to stop it from being obtained by the WHO, afraid that it might be abused to render only certain populations infertile.<br/><br/>The Provost is not killed during the final struggle: instead, he is being held by Sinskey to answer for his crimes. With the help of some Consortium agents, he escapes and attempts to flee in disguise, only to be arrested by Turkish government agents.<br/><br/>Sinskey realizes that Zobrist&#39;s virus is currently too sophisticated to stop. For now, the WHO has to accept the virus&#39; effects, which may indeed turn out advantageous for the long term. Sinskey offers Sienna a place in the WHO, so that she may be able to help them understand how it works for a future cure.
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